Only the way and the reason are different, but everything else gives a dejavu feeling. The comparison can’t be avoided as the plots are the same. Let’s bring Karthikeya into the picture now. In fact, it falls flat and with it brings down all the effort done up to that stage.
Post that, the movie gets progressively worse as specific actions miss logic, look silly and the central conceit lack the wow factor. Once again, the build-up is neat for the initial few minutes and until a deadline is fixed by the lead protagonist. In the second half, we get into the core issue, that is the problem at hand. The romance and comedy moments, although decent, come across as disruptive in the narrative. The suspenseful moments can hook the audience. The first half is still engaging as the mystery of the village deaths is maintained. There is an over the top approach, and that goes against the central thriller narrative the director is creating. The issue is not the presence of comedy it is the way it has been presented.
But that tone is immediately abandoned, and we get into a regular comedy zone through various characters. The first few murders with the eerie background help in generating a few tense moments. Subramanyapuram begins well in a familiar fashion, and the director is successful in establishing all the primary characters and central problem. Writer and director, Santhossh Jagarlapudi has his task cut with Subramanyapuram due to the comparison with another movie on the same theme and background Karthikeya. It is only when he gets into the masala hero mode that some awkwardness is visible in body language and posture.
That is half job done, and the rest is done by not going overboard and conveying the emotions accurately. Sumanth has picked an age-appropriate proper role.
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